Multiplication Table
| × | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 |
|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 |
| 2 | 2 | 4 | 6 | 8 | 10 | 12 | 14 | 16 | 18 | 20 |
| 3 | 3 | 6 | 9 | 12 | 15 | 18 | 21 | 24 | 27 | 30 |
| 4 | 4 | 8 | 12 | 16 | 20 | 24 | 28 | 32 | 36 | 40 |
| 5 | 5 | 10 | 15 | 20 | 25 | 30 | 35 | 40 | 45 | 50 |
| 6 | 6 | 12 | 18 | 24 | 30 | 36 | 42 | 48 | 54 | 60 |
| 7 | 7 | 14 | 21 | 28 | 35 | 42 | 49 | 56 | 63 | 70 |
| 8 | 8 | 16 | 24 | 32 | 40 | 48 | 56 | 64 | 72 | 80 |
| 9 | 9 | 18 | 27 | 36 | 45 | 54 | 63 | 72 | 81 | 90 |
| 10 | 10 | 20 | 30 | 40 | 50 | 60 | 70 | 80 | 90 | 100 |
Weekdays
| English | Spanish | German | French | |
|---|---|---|---|---|
| 1 | Monday | Lunes | Montag | Lundi |
| 2 | Tuesday | Martes | Dienstag | Mardi |
| 3 | Wednesday | Miercoles | Mittwoch | Mercredi |
| 4 | Thursday | Jueves | Donnerstag | Jeudi |
| 5 | Friday | Viernes | Freitag | Vendredi |
| 6 | Saturday | Sabado | Samstag | Samedi |
| 7 | Sunday | Domingo | Sonntag | Dimanche |
RGB Triplets
| Notation | RGB triplet |
|---|---|
| Arithmetic | (1.0, 0.0, 0.0) |
| Percentage | (100%, 0%, 0%) |
| Digital 8-bit per channel | (255, 0, 0) #FF0000 (hexadecimal) |
| Digital 12-bit per channel | (4095, 0, 0) #FFF000000 |
| Digital 16-bit per channel | (65535, 0, 0) #FFFF00000000 |
| Digital 24-bit per channel | (16777215, 0, 0) #FFFFFF000000000000 |
| Digital 32-bit per channel | (4294967295, 0, 0) #FFFFFFFF0000000000000000 |
Film and Television
| Year | Title | Role | Notes |
|---|---|---|---|
| 1961 | Barabbas | Patrician in Arena | Film; uncredited |
| 1963 | The Beverly Hillbillies | Janet Trego | TV series, recurring role, 15 episodes |
| 1963 | Mister Ed | Telephone Operator / Sailor’s Girl | TV series, episodes: “Love Thy New Neighbor”, “Ed Discovers America” |
| 1964 | The Americanization of Emily | Beautiful Girl | Film; uncredited |
| 1965 | The Man from U.N.C.L.E. | Therapist | TV series, episode: “The Girls of Nazarone Affair” |
| 1966 | Eye of the Devil | Odile de Caray | Film |
| 1967 | The Fearless Vampire Killers | Sarah Shagal | Film |
| 1967 | Don’t Make Waves | Malibu | Film |
| 1967 | Valley of the Dolls | Jennifer North | Film |
| 1968 | Rosemary’s Baby | Girl at Party | Film; uncredited |
| 1968 | The Wrecking Crew | Freya Carlson | Film |
| 1969 | The Thirteen Chairs | Pat | Film; also known as 12+1; released posthumously |
Academy Awards
| Year | Award | Title | Result |
|---|---|---|---|
| 1932 | Outstanding Production | Arrowsmith | Nominated |
| 1935 | Outstanding Production | The Informer | Nominated |
| 1935 | Best Director | The Informer | Won |
| 1939 | Best Director | Stagecoach | Nominated |
| 1940 | Outstanding Production | The Long Voyage Home | Nominated |
| 1940 | Best Director | The Grapes of Wrath | Won |
| 1941 | Best Motion Picture | How Green Was My Valley | Won |
| 1941 | Best Director | How Green Was My Valley | Won |
| 1942 | Best Documentary | The Battle of Midway | Won |
| 1943 | Best Documentary, Short Subjects | December 7th: The Movie | Won |
| 1952 | Best Motion Picture | The Quiet Man | Nominated |
| 1952 | Best Director | The Quiet Man | Won |